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NICOLA HITCHCOCK

Nicola was born in London and moved to Devon (in the south west of England) three years ago. She inherited her ear for music from her father "he was a natural musician, could pick out a tune on any instrument". Alongside him at the piano she learned from an early age how to improvise around a tune. His first love was music and his first formal job was working as floor manager on a televised music show, so there were often test pressings and white labels - and always commercial radio - being played in the house whenever he was around. Her parents divorced when she was three years old and on the long car journeys between homes she'd make up stories and rhymes with her dad and sisters, instilling a love of words that continues on. For her 9th birthday she got her first guitar, taught herself a few chords and started making up songs.

During her teenage years and early twenties she performed as a backing vocalist for a variety of bands - doubling up on harmonica, accordion, electric & acoustic guitar, keyboard & percussion - and paid her dues gigging around London's live music circuit. She also got her first taste of working in studios. This experience led to writing and recording her own songs and becoming a regular solo performer on London's folk/acoustic circuit including the Half Moon in Putney, Acoustic Room at the Mean Fiddler, Waterman's Arts Centre & the legendary Bunjies folk clulb in the West End. She soon secured a record contract with FBeat/Demon records and a publishing contract with Rough Trade Music. Performing with her band at the Guildford, Cambridge and Phoenix Festivals she attracted guest musicians Danny Thompson on bass (Kate Bush, David Sylvian) & Neil Conti on drums (Prefab Sprout, David Bowie) to play on her debut album "A Bowl of Chalk" released in '93.

“There’s something indefinably magical in her delivery and in the very human troubled personal conflicts in her exceptional lyrics … a remarkable debut” (Colin Irwin, Folk Roots)

However, the A&R man who signed Nicola left the label shortly after the album's release which meant the label folded along with the promotional plans.

Undaunted and Inspired by the music of Portishead and Massive attack at this time Nicola sought a collaborator in the pages of Melody Maker. Her response to an advert placed by Chrysalis Music led to a meeting with Saul Freeman (ex-Thieves/McAlmont) and the formation of Mandalay. On completion of Mandalay's first demos they were courted and wined and dined, by most of the major labels around at that time but opted instead to sign to David Steele's independent label Organic Record. The first single release on Organic "Flowers Bloom" got single of the week in Melody Maker.

"Nicola's voice is extraordinary, a sort of static shiver ... as chillingly beautiful as liquid nitrogen sculpture." (David Stubbs, Melody Maker)

Shortly after this release, David Steele was asked to head up Richard Branson's new label V2 Records and took Mandalay with him.

Mandalay's debut album "Empathy" followed, released to critical acclaim. Co-produced with Guy Sigsworth (Bjork, Madonna, Bebel Gilberto) it featured drummer and percussionist Steve Jansen (Japan) and the beautiful ethereal sounds of Jon Hassell on trumpet (Brian Eno, Harold Budd).

"one of the most surprising understated albums in eons ... illuminating and optimistic. A muted beauty." (Andrew Emery, Vox)
"passionate and honest ... moody mood music of the highest order ... a fine debut" (Phil Strongman, The Mix)
“Mandalay remain apart form pale imitators with emotionally rich, delicate dance pop" (Esquire)

Mandalay's live lineup included Andy Gangadeen on drums (massive attack, faithless) and they became a regular favourite at The Big Chill festivals.

“Troubled fluid, gorgeous oils and waters creating a river of sound that leaves you aching for more” (Melody Maker Live Review)

On hearing "Empathy", Madonna sited Mandalay as her favourite band and chose the first single "This Life" to be featured on the film soundrack for her film. "The Next Best Thing". "This Life" was also chosen to feature on the soundtrack to the hit British film "This Year's Love"

“a fusion of classical music, electronics and dance beats. Nicola Hitchcock’s strange, emotive vocals seem to come from someone on the edge of a meltdown. The musical canvass paints a picture of a musical Ice Age to come.” (NME singles review)

Many other Mandalay songs were featured on cult TV series' including "La Femme Nikita", "Six Feet Under" and "CSI MIami".

The third single "Beautiful" appeared on a number of chillout albums of the time including the world famous compilation series' "cafe del mar (vol 6)" and Hed Kandi's "Serve Chilled". As a result Mandalay were invited to headline at the Cafe del mar 2oth anniversary celebrations in Ibiza in 2000. A sunset remix of "Beautiful" was recorded and mixed by Lenny Ibizarre, the leading chillout DJ/musician on the island. The song "Beautiful" went on to win a major advertising campaign (Estee Lauder, featuring Liz Hurley) and was chosen for the title track of German film "Der Eisbar". More recently "Beautiful" was covered by Sarah Brightman and released as the lead single for her hit album "Harem".

Mandalay's 2nd album "Instinct" was co-produced with Andy Bradfield (Everything But the Girl, Future Sound of London, Bjork) and Yoad Nevo (Jem)

".. draws inspiration from jazz and classical music to create resolutely elegant, affecting pop .... lush and expansive, Instinct's musical world is perfectly realised" (MK The Guardian).

The first single from this album "Deep Love" was remixed by Nitin Sawhney and Mandalay went on to support Nitin on his UK/London dates. Performances at Ibza's chillout festivals followed including "Las Dallias" and "Dreamdaze" culminating in a headline performance at The Big Chill UK, Sanctuary Stage.

A third album "Solace" followed, released exclusively in the US comprising a mix of tracks from Mandalay's two existing albums (both previously unavailable in the US) together with an 11 track remix album with contributions from Wagon Christ, Alex Reece and Charlie May. This marked the beginning of a growing success in America where "Solace" Soundscanned over 44,000 copies.

By this time however problems were escalating within the Mandalay camp and disagreements on business rather than musical issues proved unresolvable. The duo split, sadly just as the US were becoming aware of them.

During Mandalay's demise, Nicola's songwiring and vocal talents were sought by DJ Tiesto who chose her song "In My Memory" for his forthcoming album. With a deft remix from him, it became the title track and lead single for the album, the success of which led to a live performance with DJ TIesto at the Dutch Music Awards in 2002.

Sorting out all the post-Mandalay's business was difficult, took a long time and eventually took it's toll. Coupled with a major house move, followed by a car accident whilst battling with Glandular Fever/Epstein Barr virus (!) all meant that Nicola's energies for making music were seriously depleted. During this time however she continued to be sought by artists/musicians/dj's contacting her via the internet and email with requests for possible collaborations and she found herself in the fortunate position of being able to choose who to work with ... and how ... and when ...... she began working on tracks from avant garde composers Hector Zazou, Ryuichi Sakomoto, Lenny Ibizarre and the underground artist & DJ Chris Brann (Wamdue Project, P'taah etc). The resulting album "Passive Aggressive" stands a collection of her favourite collaborations from this time and is the first release on her own label Tempted.

www.nicolahitchcock.com
www.myspace.com/nicolahitchcock



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